Max Fleischer: Lost Cartoons (2015)
Overview
A series of rare Max Fleischer sound cartoon shorts released by animation historian Jerry Beck. Fleischer was a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios. He brought such animated characters as Betty Boop, Koko the Clown, Popeye and Superman to the movie screen and was responsible for a number of technological innovations including the Rotoscope.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | en |
| Popularity | 0.266 |
Directed By
Max Fleischer
Dave Fleischer
TOP CAST
Similar Movies
Mr. Prokouk, The Inventor
After a hard day at work, Mr. Prokouk decides to invent a machine to ease his labor. But inventing is work too, and Mr. Prokouk spends more time dreaming about inventions than actually inventing anything. Can he find an easy solution?
The Adventures of the Son of Exploding Sausage
The Bonzo Dog Band freak out at the farm and strange sounds abound.
Bonus for the Bullseye
The big boss Fetu has a hit on his head. It's not the first time, but this time it's more serious...they hired The Snake, a renowned assassin. A fun comedy, full of colourful characters, exploring an underground world of hitmen.
Japanese King Kong
A silent 3-reel comedy short that uses the 1933 film King Kong as a backdrop to the story. It was produced by Shochiku Studios (who released the original 1933 film in Japan on behalf of RKO). It is now considered to be a lost film.
The Cleanse
The Queer Clique loves fresh meat. Newbie Kayden must complete the sacred initiation: The Cleanse. No food. No sex. Just juice. Let the cravings begin.
Mosaic
In the oldest city of the Middle East, a Kurdish student, a Muslim musician and a Christian little girl are part of a cultural mosaic. When vicious noises bring war upon their city, a mysterious sunfish appears to save them.
Wormholes
Ben goes down a late-night internet wormhole of bad advice and growing neuroses.
The Fable of the Busy Business Boy and the Droppers-in
The Busy Business Boy lands at his desk like the Early Bird with the intention of tearing off a week or two of correspondence in an hour or so. But the Napoleon of finance reckons not with the Man with the Funny Puzzle, the Fruit Vender, the Insurance Agent with the Flowing Vocabulary, and last, but not least, with Rube.
A Grand Day Out
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
The Wrong Trousers
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
A Close Shave
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
My Little Underground
In this autobiographical animated short, Elise Simard crafts the story of a young girl seeking self-discovery and rebirth. Drifting between real and imagined events, the film uses time-lapse photography with ink and pastels, creating a haunting, compassionate exploration of addiction and existence.
Everything's Ducky
Bobby Clark and Paul McCullough take to the streets as pots and pans salesmen, wreaking havoc door to door with their demonstrations of their cookware.
Small Talk
A young phone sex operator named Al's career takes a strange turn as her more unpleasant clients begin dying under mysterious circumstances after speaking with her. Al is left with sudden, intense headaches after each incident, the likes of which she has never experienced before. Is this coincidence, or is she somehow causing these deaths? Al attempts to keep her grip on reality and enlists her best friend investigate--battling violent ex boyfriends and the horror of the service industry along the way
Summer Solstice
Clara returns to her grandparents' house to celebrate the festivity of San Juan with her younger brothers. Mireia, the youngest, has been living in the house whilst finishing her studies. Despite the siblings' intention to relive their childhood's summer memories, the trip becomes a wheel of tension and silence when they discover that Mireia is prostituting herself with a neighbor from the village that is much older than her.
The Beauty
What if plastic could be integrated into sea life? Take a deep breath and dive into a world, where feelings of guilt dissolve amongst the mysterious depths of the ocean. A world where we encounter bizarre creatures and discover eerily beautiful landscapes. Unfortunately, our air doesn’t last forever and we have to realize that nature alone can't solve this issue.
The Hunchback
A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.
Two Knights of Vaudeville
After getting kicked out of a vaudeville show for misbehaving, they decide to put on a show of their own.
Après-ski
A young woman offers her special services as a virtual après-ski partner.
Hymn of the Nations
Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.